Stoneware Clay for Kiln Firing
Stoneware was the clay that changed everything for me — the first time I opened a kiln and held a bowl that had gone in as a soft shape and come out as something genuinely solid and permanent. It is a mid-fire clay body that works on the wheel and at the hand-building table, and it is the material most intermediate potters settle on as their primary clay.
- Price
- $ 38.00 per 5 kg bag
- Delivery
- Dispatched within two business days once payment is confirmed
- Our responsibility
- The clay arrives sealed and at the correct weight, with consistent plasticity and grog content as described, suitable for wheel throwing and hand building
- How we review
- We review the order together within 14 days of delivery — any condition or accuracy issue found is addressed promptly at no extra cost
What you receive with this product
- One sealed 5 kg bag of mid-fire stoneware clay at working moisture, ready to use on arrival
- Product sheet with cone 6 firing guidance, shrinkage rate, and compatible glaze temperature range
- Medium-fine grog content suitable for both wheel throwing and hand-building techniques
What is needed from you
A kiln capable of reaching cone 6 temperatures is required to fire this clay to maturity. If you are firing at a shared community studio, confirm the kiln's temperature range before ordering. Unused clay should be stored in its sealed bag in a cool location. If the clay dries out between sessions, it can be reclaimed by breaking it into small pieces, submerging in water, and working it back to a workable consistency once it has absorbed the moisture evenly — a process that takes patience but wastes nothing.
After hand-over and what the defect window covers
The 30-day defect window covers the condition of the clay as supplied: seal integrity, stated weight, and consistency with the product description. It does not cover variation in fired colour or texture caused by kiln conditions, glaze chemistry, or firing atmosphere — these are outcomes that depend on variables the operator cannot observe. Natural colour variation in the raw clay body between production batches is a characteristic of natural materials and does not constitute a defect.